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浙江财经大学2022新增艺术专业硕士点(美术)!

发布日期:2021-08-26 15:03:04  来源:浙江财经大学

22北京考研交流备考群:707412975 | 北京研究生考试网微信公众号 (bjzgky365)
 
 
浙江财经大学2022新增艺术专业硕士点(美术)!
 
浙江财经大学艺术学院创立于2007年6月,目前学院设有视觉传达系、环境设计系、摄影系和美术学系四个教学系,拥有视觉传达设计、环境设计、摄影和美术学四个本科专业和“艺术品市场与管理”硕士学位点。2021年新增硕士点,招收艺术硕士135107美术专业,具体研究方向有书法、绘画、摄影与公共视觉艺术。详见下表:

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《艺术学概论》,艺术学概论编写组著,高等教育出版社,2019年。"]]],["p",{"jc":"left","keepLines":false,"keepNext":false,"numPr":{"id":"0","level":0},"pageBreakBefore":false,"rPr":{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt"},"spacing":{"after":"3.75pt","before":"3.75pt","line":1.25,"lineRule":"auto"},"styleId":"5","windowControl":true},["span",{"data-type":"text"},["span",{"data-type":"leaf"},""]]],["p",{"ind":{"firstLine":24,"firstLineChars":200},"jc":"left","keepLines":false,"keepNext":false,"pageBreakBefore":false,"rPr":{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt"},"spacing":{"after":"3.75pt","before":"3.75pt"},"windowControl":true},["span",{"data-type":"text"},["span",{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"复试"],["span",{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"考试内容为实操,专业创作,根据不同报考方向选做,具体"],["span",{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"参考书目"],["span",{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"如下:"]]],["p",{"jc":"left","rPr":{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt"},"spacing":{"after":"3.75pt","before":"3.75pt"},"windowControl":true},["span",{"data-type":"text"},["span",{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"“书法”方向"]]],["p",{"ind":{"firstLine":24,"firstLineChars":200},"jc":"left","numPr":{"id":"0","level":0},"rPr":{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt"},"spacing":{"after":"3.75pt","before":"3.75pt"},"styleId":"5","windowControl":true},["span",{"data-type":"text"},["span",{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"① 《中国书法史图录》,殷荪编著,上海书画出版社,1989年。"]]],["p",{"ind":{"firstLine":24,"firstLineChars":200},"jc":"left","numPr":{"id":"0","level":0},"rPr":{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt"},"spacing":{"after":"3.75pt","before":"3.75pt"},"styleId":"5","windowControl":true},["span",{"data-type":"text"},["span",{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"② 《印学史》,沙孟海著,西泠印社出版社,1999年。"]]],["p",{"jc":"left","numPr":{"id":"0","level":0},"rPr":{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt"},"spacing":{"after":"3.75pt","before":"3.75pt"},"styleId":"5","windowControl":true},["span",{"data-type":"text"},["span",{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"“绘画”方向"]]],["p",{"ind":{"firstLine":24,"firstLineChars":200},"jc":"left","numPr":{"id":"0","level":0},"rPr":{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt"},"spacing":{"after":"3.75pt","before":"3.75pt"},"styleId":"5","windowControl":true},["span",{"data-type":"text"},["span",{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"① 《中国绘画通史》,王伯敏著,生活·读书·新知三联书店,2018年。"]]],["p",{"ind":{"firstLine":24,"firstLineChars":200},"jc":"left","numPr":{"id":"0","level":0},"rPr":{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt"},"spacing":{"after":"3.75pt","before":"3.75pt"},"styleId":"5","windowControl":true},["span",{"data-type":"text"},["span",{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"② 《中国美术史教程》,薄松年著,陕西人民美术出版社,2008年(2016年重印)。"]]],["p",{"jc":"left","rPr":{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt"},"spacing":{"after":"3.75pt","before":"3.75pt"},"windowControl":true},["span",{"data-type":"text"},["span",{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"“摄影”方向"]]],["p",{"ind":{"firstLine":24,"firstLineChars":200},"jc":"left","rPr":{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt"},"spacing":{"after":"3.75pt","before":"3.75pt"},"windowControl":true},["span",{"data-type":"text"},["span",{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"① 《摄影思想史》(修订版),林路著,浙江摄影出版社,2015年(2018年重印)。"]]],["p",{"ind":{"firstLine":24,"firstLineChars":200},"jc":"left","rPr":{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt"},"spacing":{"after":"3.75pt","before":"3.75pt"},"windowControl":true},["span",{"data-type":"text"},["span",{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"② 《世界摄影史》,顾铮著,浙江摄影出版社,2020年。"]]],["p",{"jc":"left","rPr":{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt"},"spacing":{"after":"3.75pt","before":"3.75pt"},"windowControl":true},["span",{"data-type":"text"},["span",{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"“公共视觉艺术”方向"]]],["p",{"ind":{"firstLine":24,"firstLineChars":200,"left":0,"right":0},"jc":"left","keepLines":false,"keepNext":false,"rPr":{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt"},"spacing":{"after":"0pt","afterAutospacing":false,"before":"0pt","beforeAutospacing":false,"line":1.33,"lineRule":"atLeast"},"styleId":"2","windowControl":true},["span",{"data-type":"text"},["span",{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"① "],["span",{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"default"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"《"],["span",{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"世界现代设计史(第二版)"],["span",{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"default"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"》"],["span",{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},",王受之著,中国青年出版社,2015年。"]]],["p",{"ind":{"firstLine":24,"firstLineChars":200},"jc":"left","rPr":{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt"},"spacing":{"after":"3.75pt","before":"3.75pt"},"windowControl":true},["span",{"data-type":"text"},["span",{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","eastAsia":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"② 《设计学概论(全新版)》,尹定邦、邵宏著,湖南科技出版社,2016年。 "]]],["p",{"ind":{"firstLine":24,"firstLineChars":200},"jc":"left","rPr":{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt"},"spacing":{"after":"3.75pt","before":"3.75pt"},"windowControl":true},["span",{"data-type":"text"},["span",{"data-type":"leaf"},""]]],["p",{"ind":{"firstLine":24,"firstLineChars":200},"jc":"left","rPr":{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt"},"spacing":{"after":"3.75pt","before":"3.75pt"},"windowControl":true},["span",{"data-type":"text"},["span",{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"值得注意的是,"],["span",{"color":"#FF0000","fonts":{"ascii":"宋体","cs":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"“绘画”"],["span",{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"方向是中国画方向,意向报考的同学也要注意,如油画或版画等方向的同学要谨慎报考。其次,"],["span",{"color":"#FF0000","fonts":{"ascii":"宋体","cs":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"“公共视觉艺术”"],["span",{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"方向虽下设在美术专业下,但更偏向艺术设计,所以如有想要报考设传达方向的同学,此方向可作为选择。"]]],["p",{"ind":{"firstLine":24,"firstLineChars":200},"jc":"left","rPr":{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt"},"spacing":{"after":"3.75pt","before":"3.75pt"},"windowControl":true},["span",{"data-type":"text"},["span",{"data-type":"leaf"},""]]],["p",{"ind":{"firstLine":24,"firstLineChars":200},"jc":"left","rPr":{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt"},"spacing":{"after":"3.75pt","before":"3.75pt"},"windowControl":true},["span",{"data-type":"text"},["span",{"color":"#000000","fonts":{"ascii":"宋体","cs":"宋体","hAnsi":"宋体","hint":"eastAsia"},"kern":0,"sz":9,"szUnit":"pt","data-type":"leaf"},"从整体的考试科目及参考书目推荐来看,预计考试内容难度不会很大,但从专业课复习的角度,史论书目的记忆与学科知识框架的搭建是关键;其次,概论类知识的理解与运用,以及案例的结合是难点,同学们在复习的过程中要特别注意,针对不同科目的特点,建立相应的学科思维,并掌握不同的答题技巧。"]]]]">

专业

研究方向

招生学院

初试科目

复试科目

备注

135107

美术

01(全日制)书法

02(全日制)绘画
03(全日制)摄影

04(全日制)公共视觉艺术

013艺术学院
(0571-87557482)

101思想政治理论
204英语二
710中外美术史
909艺术概论

复试:专业创作(考生可选择其中一个研究方向进行创作。请考生自备画具、器材等)

本专业不招收同等学力考生


因浙江财经大学2021年为第一年招生,且两门专业考试内容都为理论科目,预计考试难度不会很大,初试两门专业的参考书目如下:

710 中外美术史:

① 《中国美术史》,中国美术史编写组著,高等教育出版社,2019年。

② 《外国美术史》,欧阳英等著,中国美术学院出版社,2009年。

909艺术概论

① 《艺术概论》,王宏建著,文化艺术出版社,2006年。

② 《艺术学概论》,艺术学概论编写组著,高等教育出版社,2019年。

复试考试内容为实操,专业创作,根据不同报考方向选做,具体参考书目如下:

“书法”方向

① 《中国书法史图录》,殷荪编著,上海书画出版社,1989年。

② 《印学史》,沙孟海著,西泠印社出版社,1999年。

“绘画”方向

① 《中国绘画通史》,王伯敏著,生活·读书·新知三联书店,2018年。

② 《中国美术史教程》,薄松年著,陕西人民美术出版社,2008年(2016年重印)。

“摄影”方向

① 《摄影思想史》(修订版),林路著,浙江摄影出版社,2015年(2018年重印)。

② 《世界摄影史》,顾铮著,浙江摄影出版社,2020年。

“公共视觉艺术”方向

① 《世界现代设计史(第二版)》,王受之著,中国青年出版社,2015年。

② 《设计学概论(全新版)》,尹定邦、邵宏著,湖南科技出版社,2016年。

值得注意的是,“绘画”方向是中国画方向,意向报考的同学也要注意,如油画或版画等方向的同学要谨慎报考。其次,“公共视觉艺术”方向虽下设在美术专业下,但更偏向艺术设计,所以如有想要报考设传达方向的同学,此方向可作为选择。

从整体的考试科目及参考书目推荐来看,预计考试内容难度不会很大,但从专业课复习的角度,史论书目的记忆与学科知识框架的搭建是关键;其次,概论类知识的理解与运用,以及案例的结合是难点,同学们在复习的过程中要特别注意,针对不同科目的特点,建立相应的学科思维,并掌握不同的答题技巧。

原标题:浙江财经大学2022年硕士研究生招生专业目录和参考书目

文章来源:https://gs.zufe.edu.cn/info/1018/6257.htm

以上就是北京中公考研为大家整理的浙江财经大学2022新增艺术专业硕士点(美术)!如果大家想要了解更多与考研相关的信息,欢迎访问微信公众号 北京研究生考试网如有问题可以咨询客服大芒老师,微信搜索wlwr321,北京中公考研为您服务。

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